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Différences
Ci-dessous, les différences entre deux révisions de la page.
| Les deux révisions précédentesRévision précédenteProchaine révision | Révision précédente | ||
| references [2022/11/11 14:11] – Alexandre Castonguay | references [2025/10/19 17:17] (Version actuelle) – [Essais, livres, etc.] Marie-Pierre Vanchestein | ||
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| Ligne 1: | Ligne 1: | ||
| ====== Références ====== | ====== Références ====== | ||
| - | ===== Théorie des systèmes, robotique ===== | + | ==== Artistes |
| - | Emanuele Quinz, Le comportement des choses, 2021 | + | * [[Liste d' |
| - | https:// | + | ==== Essais, livres, etc. ==== |
| - | ===== Critique des réseaux ===== | ||
| + | == Théorie des systèmes, robotique == | ||
| - | Sherry Turkle, Alone Together: Why We Expect More from Technology and Less from Each Other | ||
| - | Alexander R. Galloway. The Interface Effect, 2012 | + | * Emanuele Quinz, Le comportement des choses, 2021 | https:// |
| - | Shoshana Zuboff, The Age of Surveillance Capitalism: The Fight for a Human Future at the New Frontier of Power, 2019 | ||
| - | ===== Théorie décoloniale - re. arts numériques ===== | + | == Critique des réseaux |
| - | Gloria Anzaldúa, Light in the Dark/Luz en lo Oscuro: | ||
| - | Rewriting Identity, Spirituality, | ||
| - | https:// | ||
| - | Gloria Anzaldúa, https:// | + | * Sherry Turkle, Alone Together: Why We Expect More from Technology and Less from Each Other |
| - | Donna Haraway, Staying with the Trouble: Making Kin in the Chthulucene (Experimental Futures) | + | * Alexander R. Galloway. The Interface Effect, 2012 |
| + | |||
| + | * Shoshana Zuboff, The Age of Surveillance Capitalism: The Fight for a Human Future at the New Frontier of Power, 2019 | ||
| + | |||
| + | == Théorie décoloniale - re. arts numériques == | ||
| + | |||
| + | * Gloria Anzaldúa, Light in the Dark/Luz en lo Oscuro: Rewriting Identity, Spirituality, | ||
| + | |||
| + | * Gloria Anzaldúa, Borderlands, | ||
| + | |||
| + | * Donna Haraway, Staying with the Trouble: Making Kin in the Chthulucene (Experimental Futures) | ||
| + | |||
| + | * Donna Haraway - film - https:// | ||
| + | |||
| + | * Constanza Piña, [[Constellations obscures]], 2020 | ||
| + | |||
| + | |||
| + | == Les technologies de la fête == | ||
| + | |||
| + | * Louise Poissant _ Esthétique des arts médiatiques _ 1995 | https:// | ||
| + | |||
| + | * Brandon LaBelle _ The joy of cacophony _ 2024 | https:// | ||
| + | |||
| + | * Brandon LaBelle _ Party Studies – Vol. 1 – Home gatherings, flat events, festive pedagogy and refiguring the hangover _ 2021 | https:// | ||
| + | |||
| + | * Brandon Labelle _ Happy tears – notes on party life | https:// | ||
| + | |||
| + | * McKenzie Wark _ Raving _ 2023 | https:// | ||
| + | |||
| + | * Arnaud Idelon _ Boum boum Politiques du dancefloor _ 2025 | https:// | ||
| + | (premières pages…) | ||
| + | |||
| + | * Luis Costa _ Dance usted _2022 | https:// | ||
| + | |||
| + | * Leo Felipe _ Historia Universal Del After _ 2022 | https:// | ||
| + | (pdf en espagnol) | ||
| + | |||
| + | * Magazine P L S #39 _ joie collective _ 2025 | https:// | ||
| - | Donna Haraway - film - https:// | ||